I think in some ways I was primed to accept Moldbug before ever I heard of him. Not by my growing conviction that Conservatism in philosophy and practice was seriously flawed, not by the obvious dysfunctions of our republic, and of other governments around the world. But by science fiction. Frank Herbert, Neal Stephenson, John Brunner, Robert Heinlein - some of my favorite sf authors - all had in their stories things that cracked the door that Moldbug later kicked open.
Stephenson is the obvious one. In Snow Crash and Diamond Age, he describes a society descended from, but very different from our own. In Moldbuggian terms, the USG collapses - and the result is not quite a reset. There is a remnant USG, the Feds, who are still exhibiting all the dysfunction we've come to love, but unable to inflict it on everyone else. Everywhere else, the quasi-national franchise state has taken over. These entities are soveriegn nations competing for customers, and have adopted a bewildering variety of governmental structures. Mr. Lee's Greater Hong Kong was the best of these, a free-wheeling nation state run by Mr. Lee and whose citizenship was available for a fee.
Moving this world further into the future, the Diamond Age imagined a world where nanotechnology has become a commonplace. At the pinacle of prosperity and power in this new age are the Neo-Victorians, who live on islands constructed by advanced technology off the coast near large cities. Like most of the sovereign states in the books, citizenship is voluntary - but there is no indication that the Victorians practice any sort of democracy. They have a queen, and the aristocracy are referred to as "Equity-Lords," a term that I would later find particularly apt in light of Moldbug's neo-cameralist ideas.
Stephenson, across the decades of future encompassed in these two books (from contextual clues, Lord Alexander Chung-Sik Finkle-McGraw is probably about my age) portrays a world unfolding more or less as Moldbug might have imagined - the collapse of Democracy, the growth of thousands of micro-states, a return to classical international law. What struck me particularly about the New Atlantis of the Neo-Victorians was that the basis of their prosperity was described as being cultural - a culture that rejected most of the political theory of the past two or three centuries. They were reactionaries, they lived in a society of their own creation designed to correct the flaws of the 20th Century West. They wrapped themselves in manners and propriety, yet they retained the essential liberty of the Anglo-Saxon tradition.
When I finally read Moldbug a decade after I first read Diamond Age, this was the image that kept popping up in my mind, and probably contributed greatly to its plausibility for me.
Frank Herbert is best known for the Dune series, and for fathering a son who is actively ruining his father's legacy. As interesting, fully-realized, well-written and just fabulous as Dune is, there is another book that not many have read. Herbert's Dosadi Experiment is in many ways more interesting than Dune. Rather than exploring the border between religion and politics, it explores politics more or less straight on.
Since not many people have read Dosadi, here's a primer. In Dosadi, interstellar travel is possible through the efforts of the Caleban, intelligent stars who can teleport you from planet to planet. The ConSentiency is the interstellar government of a largely peaceful multi-species society. One of the key elements of this government is the Bureau of Sabotage:
...sometime in the far future, government becomes terrifyingly efficient. Red tape no longer exists: laws are conceived of, passed, funded, and executed within hours, rather than months. The bureaucratic machinery becomes a juggernaut, rolling over human concerns and welfare with terrible speed, jerking the universe of sentients one way, then another, threatening to destroy everything in a fit of spastic reactions. In short, the speed of government goes beyond sentient control.
...BuSab began as a terrorist organization whose sole purpose was to frustrate the workings of government in order to give sentients a chance to reflect upon changes and deal with them. Having saved sentiency from its government, BuSab was officially recognized as a necessary check on the power of government. First a corps, then a bureau, BuSab gained legally recognized powers to interfere in the workings of any world, of any species, of any government or corporation, answerable only to themselves.
Crucial to the progress of the story are the Gowachin, a frog-like species with an interesting legal system:
The Gowachin regard their legal practices as the strongest evidence that they are civilized. Gowachin law is based upon the notion of a healthy disrespect for all laws; the purpose of this notion is to avoid the stultifying accretion of a body of laws and precedents that bind Gowachin mechanically. In a Gowachin trial, everything is on trial: every participant, including the judges; every law; even the foundational precept of Gowachin law. Legal ideas from other systems are turned on their head: someone pronounced "innocent" (guilty in other terms) by the court is torn to pieces by angry spectators; judges may have bias ("if I can decide for my side, I will"), though not prejudice ("I will decide for my side, regardless"); defendant and plaintiff are chosen at trial by the side bringing the complaint choosing one role or the other; torture is permitted; and all procedural rules may be violated, but only by finding conflict within procedural rules (an example of Nomic).
Gowachin law is illustrative of a dominant theme in Herbert's books set in this universe: that governments, law, and bureaucracy (collectively, society's tools for regulating itself) are dangerous when allowed to escape human (sapient) control. In both novels, the Bureau of Sabotage (BuSab) plays a major role. An official bureau, its mandate is to slow the workings of government(s) to ensure that the machinery of governance never overpowers those subject to its power. Historically, BuSab was created when government had become terrifyingly efficient, with laws conceived, mandated, and funded within hours, thus subjecting sapients to an overpowering bureaucratic juggernaut.
Gowachin legal practices are to law and the courts what BuSab is to government bureaucracy: a governor on an engine, preventing a static pronouncement on the state of things (real or intended) from ever over-ruling sentient judgement or discreation at the contingent moment. Inasmuch as only sapience or full consciousness is capable of dealing with a dynamic universe, no procedural set judicial algorithm can ever supersede or effectively protect sapience.
This aspect of the novels is echoed in Dune Messiah, when the Emperor, Paul, rejects a request from a subject world for a constitution. Ostensibly, the purpose is to provide basic guarantees for the people; in reality, it's an attempt to check the Emperor's power with legal limits. Paul justifies his decision by arguing, in his official pronouncement, that constitutions are dead things, limited and limiting to what can be currently conceived as a threat from which the people require protection, ultimately enfeebling them by depriving them of the essential human challenge to deal with an ever-changing universe.
(Both of those quotes are from Wikipedia.) The main character of the story is Jorj X. McKie, a Sabateur Extraordinaire and the only Human admitted to the Goawachin Bar as a legum. The center of the story is the planet Dosadi, an experiment conducted with the connivance of one of the Calaban. Humans and Gowachin are sequestered on the planet Dosadi, a poisonous desert whose only inhabitable area is one river valley. In this valley is Chu, a city of 89 million humans and Gowachin. They cannot leave, and every form of poisonous and intoxicating substance known to either species is available. Many forms of government have been tried on Dosadi - as the story begins, it is a dictatorship. But one thing that the Dosadi are not allowed to remove is the DemoPol, which is something of a combination of opinion poll, propaganda device, and election tool. On Dosadi, it is recognized that the DemoPol is one of the chief means of their oppression.
The Dosadi Experiment is monstrously cruel - hundreds of millions of sentient beings forced to lived in horrible conditions over generations, and forbidden any solution that would improve their lot. It is a cruel society, necessarily; violent and callous. To maintain a civilization under these conditions is almost impossible, but those most capable of survival under these conditions are very competent indeed.
I imagine that Moldbug would say that Dosadi is an exaggeration of things we see in our society - not so cruel, not on the edge of Malthusian collapse - but similar in its callousness, crime, and most importantly the inability to change what we recognize to be broken. I remember feeling how odd to entertain the notion that something with "demos" in it could be bad - democracy is the ultimate good, as I had been taught. If you haven't read the book, do so immediately.
Heinlein has been much more discussed in the context of politics - especially Starship Troopers. I think that Farnham's Freehold and Moon is a Harsh Mistress are both more accurate representations of Heinlein's actual politics. Certainly more so than the typical idea that the state in Troopers is fascist, which is obviously false to anyone who has read the book. Heinlein talked a lot about authority and responsibility, and how they need to be properly aligned for there to be a functional society. The key bit is that only veterans may participate in the government - people who have demonstrated that they have at least the potential to put society's needs ahead of their own are the only ones allowed near the levers of power. Others, the taxpayers, are granted all the civil rights we expect save only the franchise. They are free, but are subjects.
Mistress, on the other hand, introduced me to anarchism and libertarianism in the persons of Prof. de la Paz and Mannie. But Heinlein did put a royalist in the mix, Stuart Rene "Stu" LaJoie. I think that reading and enjoying this book was the extent of my serious belief in libertarianism. Not that I have not (and continue to have) a deep sympathy with many libertarian ideas about many things. I just don't think it can exist in the pure form. Heinlein in general was skeptical of democracy, and I think that a lot of that seeped in deep, only to bubble up later.
Finally, John Brunner's Shockwave Rider. Not a dystopian novel, by any means, but the United States of this world has definitely fallen down in a lot of ways. A coarsened culture, callousness, violence and crime, corruption in government - what we see now, turned up a few notches. In many ways, this was a precursor to the cyberpunk genre - computer worms, the hacker hero, bleak environment, corporate and gov't thuggery. Notably, the book was the first to include the idea of the self-replicating computer virus, and also the Delphi Pool, which bears a passing resemblance to DARPA's Policy Analysis Market.
The politics of Brunner's book verge toward the socialist, but yet with a healthy dose of libertarianism. While I think his solution is more than a bit utopian; like Snow Crash, his portrayal of a democratic government overwhelmed by organized crime, and the social decay created by too rapidly changing technology is vivid, and powerful. Shockwave Rider didn't effect me so much with its politics, directly, but by the idea that wisdom is not the same as intelligence. You hear that a lot of course, but this book showed it. Rationality and logic and science are only tools, powerful tools to be sure; but if you have a society that is not founded on wisdom you get atomization, grief, violence and cruelty. Brunner might not agree with this - but I think that the idea that you have to live for something outside yourself is more of an argument for monarchy than a democracy - people link themselves more naturally to people than abstracts.