Magazine banned, Patton crushed

Iran has banned Patton's favorite magazine, The Economist, for lese majeste, in that the august publication dared to publish a map that referred to the body of water to south of Iran as "Gulf" rather than "Persian Gulf." The National Geographic was banned a while back for subtitling Persian Gulf with "Arabian Gulf." While I think that the mullahs have gone too far, I find myself in stunned agreement. It is the Persian Gulf, that's what it's been called for quite a while now, and renaming it willy-nilly is not the perogative of jackass cartographers no matter who they're working for. Nevertheless, it is widely known that the Mullahs hate our freedom, so everyone go out and subscribe to the Economist so that the terrorists don't win.

Posted by Buckethead Buckethead on   |   § 1

And speaking of Zarqawi

Dale Franks over QandO notes that media perception of the importance of Zarqawi seems to have evolved a bit since his fortunate demise. I noticed a bit of this myself, as CNN concluded that his death would have little effect on the insurgency. I heard things like, "The insurgency is a hydra, cut off one head and two grow back" and more of the same. I can't but believe, though, that the loss of Zarqawi is a major blow to them, not us. Go team.

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Actual Facts

Scholars have concluded that the cruelest decision in the history of the English language was to put an "s" in the word "lisp."

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Now will people love me?

Scrappleface muses on the political effects of the twin tragedies of Zarqawi's death and Rove skating out from under indictment. I'm sure this will propel Bush's poll numbers into at least the mid-thirties.

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We all know George Lucas has plot issues

Gary Farber has a better idea for the fourth Indiana Jones pic. Granted, we don't know what they have in store for us. But whatever it is, it probably sucks. Gary takes a dark corner of the Nazi era, shines a light in it, and shows how we could make fabulous entertainment out of it. He also links to Charles Stross, who stands supreme on my list of favorite writers. Stross' book Atrocity Archives discusses some of the same subject matter from a different direction entirely. I suggest to Gary that you read that book instantly, and really, anyone else as well. Unix guru meets Lovecraftian horror. You can't beat that with a stick.

But back to the main point. Indiana Jones. Nazis. Objects of power. Raiders of the Lost Ark tapped into something wonderful. The thirties, Nazis, the Lost Ark of the Covenant - it all blended together perfectly. It was all those comic books we should have had, all the serials we half remembered watching on Saturday afternoons that never were really that good. Other movies have tried to capture that feeling, with varying but typically small success. Sky Captain and the World of Tomorrow got the the alternate thirties technology, and noir feel. The Phantom was frankly pathetic. Disney's The Rocketeer (which I just saw on cable last night) was surprisingly good, though lacking in grit. To be expected of a Disney flick, but still overall a good effort. [Side note: my father, noted historian and old car collector, pointed out that in the street scenes in Rocketeer, all the cars will be of the same make. It might change from scene to scene - Buicks on this street, Chevies on the next, but typically a lot of uniformity. The reason is that production companies in need of old cars for scene dressing typically hire old car clubs, and for ease in logistics, will have a club supply all the cars for a single scene.]

The only book I've ever read that captured all the elements for kick-ass thirties adventure was a Doc Savage book. Violence, Nazis, retro-high-tech, noir atmosphere, strange locales, the whole panoply - but I lost it and can't remember the title or even author. An author could have a lot of fun writing a tale like that.

Just think of the elements you could include:

  • Nazis - but even better, real Nazis like the Ahnenerbe that Gary talks about.
  • Soviet agents, because they always get left out of these stories, and were fully as evil as the Nazis.
  • Gangsters. Hey, why not? They add period color, and will certainly ally with a patriotic hero to fight Nazis and Commies.
  • Strange technology. You get some real bonuses with a film on this one, thanks to being able to show cool art-deco/industrial gothic designs. But even so, in a book you could have - just for starters - airships, autogyros, jets, jetpacks, electro-mechanical computers, wrist radios, Tesla-style super weapons, rockets, atomics, sheesh, all kinds of fun.
  • Mystical objects. To be sure, two of the best ones are already taken. But there are others, even if you stay within the western tradition and avoid the pitfalls of the second Indiana Jones flick.

Stir that into a pot, and smoke it. Fun for the whole family.

Posted by Buckethead Buckethead on   |   § 9

A hundred days of solitude

Ministry crony EDog has issued a challenge. Write a complete novel in a hundred days. He suckered me into the NaNoWriMo contest last November, and as it happened, that was simply too much for me at the time. However, it's summer, and I am feeling optimistic. Also, an 80k word novel is inherently more saleable than a 50k word novella - novellas basically being the red-headed stepchildren of the publishing industry. Conceivably, there could be a bright shiny pile of cash at the end of the tunnel. EDog has graciously spotted me the 10k words I wrote for Nanowrimo last fall, and the story of Baby and interstellar genocide will continue.

EDog's looking at starting no later than July 1, so look for more space madness in the coming weeks. I'll see if I can get Rocket Jones to play, too.

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