The Bleat on 9/11 Movies

Lileks speculates on why we won't be seeing a 9/11 movie:

And that’s the problem. I wonder whether Hollywood execs shy from a 9/11 movie because they think it might send the wrong message.

It would anger people anew, and we’re supposed to be past that. It would remind us what was done to us instead of rubbing out noses in what we do to others – I mean, unless you have a character in the second tower watching the plane approaching and saying “My God, this is payback for supporting Israel!” it’s going to come across as simplistic nonsense that denies the reality in the West Bank, okay? It would have to tread lightly when it came to the President, because even though we all knew that he wet his pants and ran to hide, we’d have to pretend and do scenes in Air Force One where he’s taking charge instead of crying help mommy to Dick Cheney, right? I mean the idiots in flyover people believe that stuff, and you’d have to give it to them or they write letters with envelopes that have these little pre-printed return address stickers with flags up in the corner. Seriously. Little flag stickers. Anyway, we would have to show Arab males as the bad guys, and that’s not worth the grief; you want to answer the phone when CAIR sees the dailies of the guys slitting the stewardess’ throats? And here’s the big one: if we make a patriotic movie during Bush’s term, well, it doesn’t help the cause, you know. People liked Bush after 9/11. Why remind them of that? Plus, you can just kiss off the European markets, period.

Richard Clarke’s book is available? Here’s a blank check. Option that sucker.

It’s like it's 1943, and Hollywood turns down a Pearl Harbor movie in favor of the gripping account of a Washington bureaucrat who warned FDR that the oil embargo would needlessly anger Japan. The attack on Hawaii would take up five minutes – and even then it would be a shot of the hero listening to the radio with an expression of stoic anguish. If only they'd listened.

Posted by Buckethead Buckethead on   |   § 3

§ 3 Comments

1

I dunno. He kind of has a point, but this reads like twaddle to me.

Maybe it's more that seventy years of filmed entertainment have created a populace that's innately more skeptical of what's on the screen, if the message is overt. The Forties were a different age, and I think Lileks radically and fatuously over-simplifies the fact.

Not to mention, in the Forties, there wasn't much of an export market for films anyway, not like today where half a film's profits are expected to accrue overseas. So of COURSE film execs might be less eager today to greenlight something that wouldn't play in BeNeLux, Germany, or Indonesia.

I think I'm fisking James Lileks, and it's just not worth it. I'm gonna get a sandwich.

2

Oh, and also, unlike Pearl Harbor, we already have a movie of 9/11. Saw it the day it came out. Cried like a fucking baby.

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